30.9.15

Sister Ola Mae Terrell

11.6.15

Papa Charlie McCoy



Charlie McCoy (1909-1950) - vocal and mandolin 
Georgia Tom Dorsey - piano
Recorded Feb 4, 1932

28.3.15

Kenosha Kid ~ 'Inside Voices'

Artwork by Ryan White

With plenty of heart and some wry smiles, Kenosha Kid's newest album Inside Voices is dense with smoldering intensity and musicianship at the apex of instrumental/experimental jazz (or post-rock or whatever genre peg you prefer to hammer home).  Recently self-released on 12" vinyl and digital, guitarist-composer-arranger Dan Nettles helms another inventive outing as Kenosha Kid based in Athens, GA. Joined by an international crew of horn players, tonight is the album release party at Hendershot's, sets at 8:30 & 10:00, as part of the music/electronic art/tech Slingshot Festival.

"Vanishing Point" opens the album with melancholic horns in harmony giving way to floating guitar interwoven with more spirited trumpet lines from Jacob Wick.  Nettles' guitar work is effortless and subtle, laying out warm melodies with blue tinges while drummer Marlon Patton unleashes cymbal sparkle.

Wrapping up side A is the gorgeous, slow burning "Liberty Bell", a reverent anthem rife with deeply soulful guitar work accompanied by lush tenor saxophone from Greg Sinibaldi and superbly restrained drumming.

On "Map of the Universe" Handley lays back on bass, reigning in pent up energy from repeated horn rhythms, giving the tune a sense of steady pull, like hauling in an ancient vessel, hand over hand, slowly inching toward the longshore. Patton's shuffling drums engender a blend of drive with a soft touch.  Nettles' guitar takes turns with saxophone soaring over the groove as feet become inches until contact.  This is perhaps the album's best simmering mix of careful arrangement and wild improvisation.

Inside Voices has been in the works for two years, explains Nettles: six to eight months writing and arranging, another year fleshing out the songs through live performance, and finally a week-long residency at Hendershot's Coffee Bar paired with concurrent studio time at Studio 1093, just blocks from Nettles' home.  Getting everyone together in Athens was a challenge, but ringleader Nettles says he's "thankful to have a pool of great musicians who know my songs".  Once assembled, the project coalesced between nightly on-stage experimentations and daily recording sessions, essentially the distillations of the prior evening's flashes of inspiration.  "It takes a little more spice to keep my ears on board," adds Nettles.  The album and Kenosha Kid's live shows are always exhilarating as a result.

The vinyl release is adorned with some very special photographs, graphically incorporated with style by Ryan White.  Nettles' grandmother cheerfully graces the cover. His aunt, Bea Nettles, is the source of the timeless negatives used on the album; she's well-known in fine art circles for her photography, especially her tarot card series.  Aesthetic sophistication evidently runs in the family.

The B side feels looser like the group has found a cruising trajectory.  The horns add creepy levity to the 60's throwback vibe of "Zombie Party"; Patton's landslide drum fills tumble like gore strewn across varsity sweaters. "Mushmouth" swings with funk guitar, sending the listener on something like a Chips-era highway chase; later, an all-too-brief bass solo from Handley is punctuated by joyful horn hits and more Meters'-style guitar from Nettles. Patton's bass drum is propulsive and his intro on "Everyone I Know" displays his mastery of the instrument with fully-automatic, hair-trigger sensitivity as the band rises to a fever.

Clearly Nettles, Patton and bassist Robby Handley possess the sort of self-described "telepathic" musical relationship which constitutes the essential heart of Kenosha Kid.  To see their live performance as a trio is to witness the finest in creative collaboration; they also genuinely seem to have a great time playing together.  Inside Voices is the boiled down essence of more than a decade of musical partnership.  The final package is clean but not clinical, with an emphasis on ensemble playing, approachable melodies, and spontaneity with dashes of electronic effects to enliven the senses.


6.2.15

Woke Up on the RIght Side of the Bed


I do have plenty to be thankful about.
How about you?

The longer version of this tune is in the Sound Recordings archive at CulturalEquity.org.  The online repository is packed with Lomax's field recordings, films, interviews, festival performances, photographs, and so much more--the living history of our country's sonic and visual culture.

29.1.15

Academy Awards Contest ~ Take 6

Okeh.
Oscar contest time again.
Let's go!









Copy the entire ballot into a comment. Delete all but the category headings and your corresponding picks. I'll tally; you'll sally up the stairs--without tripping--to the podium!

Enter by Feb. 22nd 5:00PM EST

Best Picture
“American Sniper”
“Birdman or (The Unexpected Virtue of Ignorance)”
“Boyhood”
“The Grand Budapest Hotel”
“The Imitation Game”
“Selma”
“The Theory of Everything”
“Whiplash”

Actor
Steve Carell in “Foxcatcher”
Bradley Cooper in “American Sniper”
Benedict Cumberbatch in “The Imitation Game”
Michael Keaton in “Birdman or (The Unexpected Virtue of Ignorance)”
Eddie Redmayne in “The Theory of Everything”

Supporting Actor
Robert Duvall in “The Judge”
Ethan Hawke in “Boyhood”
Edward Norton in “Birdman or (The Unexpected Virtue of Ignorance)”
Mark Ruffalo in “Foxcatcher”
J.K. Simmons in “Whiplash”

Actress
Marion Cotillard in “Two Days, One Night”
Felicity Jones in “The Theory of Everything”
Julianne Moore in “Still Alice”
Rosamund Pike in “Gone Girl”
Reese Witherspoon in “Wild”

Supporting Actress
Patricia Arquette in “Boyhood”
Laura Dern in “Wild”
Keira Knightley in “The Imitation Game”
Emma Stone in “Birdman or (The Unexpected Virtue of Ignorance)”
Meryl Streep in “Into the Woods”

Animated Feature
“Big Hero 6”
“The Boxtrolls”
“How to Train Your Dragon 2”
“Song of the Sea”
“The Tale of the Princess Kaguya”

Adapted Screenplay
“American Sniper”
“The Imitation Game”
“Inherent Vice”
“The Theory of Everything”
“Whiplash”

Original Screenplay
“Birdman or (The Unexpected Virtue of Ignorance)”
“Boyhood”
“Foxcatcher”
“The Grand Budapest Hotel”
“Nightcrawler”

Cinematography
“Birdman or (The Unexpected Virtue of Ignorance)” Emmanuel Lubezki
“The Grand Budapest Hotel” Robert Yeoman
“Ida” Lukasz Zal and Ryszard Lenczewski
“Mr. Turner” Dick Pope
“Unbroken” Roger Deakins

Costume Design
“The Grand Budapest Hotel” Milena Canonero
“Inherent Vice” Mark Bridges
“Into the Woods” Colleen Atwood
“Maleficent” Anna B. Sheppard and Jane Clive
“Mr. Turner” Jacqueline Durran

Director
“Birdman or (The Unexpected Virtue of Ignorance)” Alejandro G. Iñárritu
“Boyhood” Richard Linklater
“Foxcatcher” Bennett Miller
“The Grand Budapest Hotel” Wes Anderson
“The Imitation Game” Morten Tyldum

Documentary Feature
“CitizenFour”
“Finding Vivian Maier”
“Last Days in Vietnam”
“The Salt of the Earth”
“Virunga”

Documentary Short Subject
“Crisis Hotline: Veterans Press 1”
“Joanna”
“Our Curse”
“The Reaper (La Parka)”
“White Earth”

Film Editing
“American Sniper” Joel Cox and Gary D. Roach
“Boyhood” Sandra Adair
“The Grand Budapest Hotel” Barney Pilling
“The Imitation Game” William Goldenberg
“Whiplash” Tom Cross

Foreign Language Film
“Ida” Poland
“Leviathan” Russia
“Tangerines” Estonia
“Timbuktu” Mauritania
“Wild Tales” Argentina

Original Score
“The Grand Budapest Hotel” Alexandre Desplat
“The Imitation Game” Alexandre Desplat
“Interstellar” Hans Zimmer
“Mr. Turner” Gary Yershon
“The Theory of Everything” Jóhann Jóhannsson

Original Song
“Everything Is Awesome” from “The Lego Movie”
“Glory” from “Selma”
“Grateful” from “Beyond the Lights”
“I’m Not Gonna Miss You” from “Glen Campbell…I’ll Be Me”
“Lost Stars” from “Begin Again”

Animated Short Film
“The Bigger Picture” Daisy Jacobs and Christopher Hees
“The Dam Keeper” Robert Kondo and Dice Tsutsumi
“Feast” Patrick Osborne and Kristina Reed
“Me and My Moulton” Torill Kove
“A Single Life” Joris Oprins

Live Action Short Film
“Aya” Oded Binnun and Mihal Brezis
“Boogaloo and Graham” Michael Lennox and Ronan Blaney
“Butter Lamp (La Lampe Au Beurre De Yak)” Hu Wei and Julien Féret
“Parvaneh” Talkhon Hamzavi and Stefan Eichenberger
“The Phone Call” Mat Kirkby and James Lucas

Visual Effects
“Captain America: The Winter Soldier”
“Dawn of the Planet of the Apes”
“Guardians of the Galaxy”
“Interstellar”
“X-Men: Days of Future Past”


4.1.15

Reasonable Tidbits

"The eye sees only what the mind is prepared to comprehend" - Robertson Davies











And since I've always been a fan of chiasmus, "...act like a man of thought and think like a man of action" - Henri Bergson

1.1.15

Marcel The Shell with Shoes On

Happy New Year!

This will make you smile (not a typical post for me).

Marcel's been around a while, but he seems to be more and more popular lately, like the year when ironic, spastic, bizarre t.v. commercials became accepted as "oddvertizing".  Like that but way more clever and adorable. The voice makes it, as does the quixotic dialogue, all provided by Jenny Slate with husband Dean Fleischer-Camp.  Enjoy!